Thursday, 9 May 2013

Alexandra Mosher Studio Jewellery

I've just returned from a fantastic trip to Bermuda, where I have been developing concepts for my accessories range as well as visiting a recent project which has been completed.

Alexandra Mosher is a Bermudian Artisan who creates beautiful Jewellery which represents Bermuda's rustic landscape through the use of texture and sand.

I was honoured to be able to help Alexandra with her new-look shop!  We spent a lot of time on Skype, discussing how she creates pieces, what her collections are like, and how she sees her store working.

I'm thrilled with the result.  She and her team worked tirelessly to create a space which truly reflects her brand.  Here are a few shots I've uploaded onto my website today.








Wednesday, 3 April 2013

Bright Lights

I finally got to see the Light Show at the  Hayward on Good Friday.   



Really fantastic show, but unable to take photos, I can't show you any of the treats inside.  It really was worth the trip though.  We all enjoyed it, arty-types and non-arty-types alike.

Looking at the medium of light art in much more depth, learning about new artists, and seeing a few old favourites (I had seen the Dan Flavin Retrospective there a few years ago).  

Leo Villareal's Cylinder (at the entrance, and on most of the publicity!) was a firm favourite of most of the group, but when we got to Carlos Cruz-Diez' piece, "Chromosaturation" we were pretty blown away.  There were 3 seperate colour chambers (red green blue), and if you spent too long in one, the colour would drain out, your brain, dulling it down.  It is intended to highlight the physicality of colour, and did just that.



The show has been extended to May 6th, so go!  And take your friends.


PHOTOS FROM THE SOUTHBANK CENTRE WEBSITE.

Thursday, 28 February 2013

Arty-tecture - Pecha Kucha

Last wednesday I went to a Pecha Kucha evening organised by the NLA (New London Architecture) and Squire and Partners at 06 Chad's Place near Kings Cross.  



The idea behind "Pecha Kucha" came from Klien Dytham Architects ten years ago in Tokyo, where each speaker would have 20 slides and 20 seconds per slide, to discuss a topic of their choice.  I've been to a few of these events before, they are great because you are always thinking, and if you get a bit bored by a speaker, you are onto the next one in no time!  Also good for learning new things, and meeting some more designers.

This event was specifically aimed at Art and Architecture, and the interaction between both, and at what stage should one begin working with an artist (answer: as soon as to the start of the architectural process as possible).

It was absolutely fascinating and absorbing.  Artists and Architects who worked on project ranging from the London 2012 Olympics through to the Angel Building and the Room for London (that boat on top of the Southbank Centre), they gave us an insight into how rewarding and exciting it can be, to work with an artist.

Personally, I've always pushed for collaborating with local artists when I see fit.  I feel, especially in  interiors, that this creates a strong sense of location for the user, and ownership over the space.  So not like some totally obscure designer has just landed a project in their laps!

Anyhow, it was very enlightening.  I'm really looking forward to the next one.




Sunday, 10 February 2013

Paula Rego


I happened upon Ms. Rego’s new exhibition at Marlborough Fine Art on Friday morning.

I’ve not had much opportunity to see much of her work up close, so it was a bit of a treat, although not a necessarily pleasant one!

Her work deals with “the beautiful grotesque” according to her, and there was definitely a strong combination of the both in this show.  I get the feeling she is trying to expose a level of the true nature of  humanity, as she hyper-accentuates ugliness in the characters she portrays.

Really interestingly, she showed the maquettes that she uses to set up for the pastels. 

I especially liked the hand coloured etchings (only £18,000 each…).

The show runs until the 1st of March.





David Breuer-Weil - Project 4


On Thursday night this week, I popped along to see David Breuer-Weil’s solo exhibition in the Waterloo vault’s on Leake Street.

Dark and dank, the venue provided a truly atmospheric backdrop for the pieces.  Creating the collection was a huge undertaking by Breuer-Weil’s.  It was great to see not only the finished pieces, but the sketches and videos of the artist at work.

The series spoke of humanity, philosophy and politics, as well as diaspora.  A masterful painter, the colours he used resonated as some sort of memory, being muddied and not clear.  The sculptures were dramatic and aggressive.







It’s running until the 24th of March, and sponsored by artnet.

http://www.davidbreuerweil.com/

Wednesday, 6 February 2013

Scratch the Surface

So I went to Surface Design show last night, and apart from being a great opportunity to catch up with some old work mates over a couple of pints, I picked up a few good new products, which I'm pretty keen to use.

Firstly, Caesar Ceramiche's dry fix tiles.  Put down on raised flooring, and ready to walk on immediately, a great solution for retailers and commercial office spaces.  And it looks good. No grout! And it doesn't budge.  Call Ben @ Caesar for more info. http://www.caesar.it/contattiUk.jsp


Clayworks have these gorgeous plasters, in natural colours which have a really lovely patina.  It's great to be able to specify a new product, although this one has won a lot of awards already, so I've missed it before!  Eco Friendly, manufactured in the UK.... a great product to spec. http://www.clay-works.com/


And last but not least, these stunning tiles by Japanese Designer Tokujin Yoshioka, supplied by Vicalvi Contract http://www.vicalvi.eu/ . "Rain Mosaics". So so lovely.  I am lucky I stopped in here, on my way out.  They have their permanent showroom at the Business Design Centre... so if you missed the show, you could always stop by.  They had some really stunning decorative tiles. 



Other than that, there wasn't too much going on that really jumped out at me.  I heard a rumour that Surfaceform are about to produce some really exciting plaster products soon though.. watch this space.

Tuesday, 15 January 2013

Matthew Bourne's Sleeping Beauty.. Don't Wake Me!

Photo Credit: Hugo Glendinning
A very organised friend of mine brought a group of us tickets to Matthew Bourne's Sleeping Beauty.  And I am SO glad she did.  This is the first ballet I have been to for ages.  Now I wish I went to the ballet more often.  It was fantastic.

The set design was gorgeously sumptuous.  It created this amazing dream-like backdrop to the fairytale. It was kind of like watching a Disney film on Ice (the movements were so smooth).. not sure if Matthew Bourne would appreciate that description, but it was pure escapism. 

Watching the dancers were amazing, with such control over their movement, using body language to tell the story.

If you haven't been to a ballet before, this would be an excellent introduction to the genre.  Thoroughly enjoyable.  The performance reminded how important the arts are, and what a great job Sadler's Wells does.  I will try and support them more often.

Photo Credit: Simon Annand

Photo Credit: Simon Annand

Photo Credit: Simon Annand


http://www.sadlerswells.com/



Thursday, 27 December 2012

Bermuda Mash-Up

Home again for Christmas on what was originally known as the Devil's Isles, due to the unknown noises which passing sailors heard at night (wild hogs were the culprits).

Anything but hellish, I've always been inspired by the nature of Bermuda, from days growing up camping on the islands, to time spent at the Biological Station working as a student on marine projects.

So I've just done a few sketch images of some of what inspires me from a walk I did last week.  I'm thinking of developing some of these into textiles for a project I'm working on... watch this space.






Monday, 10 December 2012

Shunt - The Architects

We went to see The Architects: Shunt at the the Biscuit Factory last week.  

A cross between Theseus and the Minatour and a cruise from Hell, it was an enjoyable immersive theatre experience.  Although I'm still not sure what exactly everything was about.  And I'm pretty sure elements of it were gratuitous.

No photography allowed, but I'd say that it would ruin it for you if I did post some.  I loved the bar, which doubled as a stage for the majority of the play.  The whole evening was a complete departure from reality, which is pretty hard to find without the aide of alternative substances (so I've heard).  

Anyhow, I'd recommend it, if you are open to new things, and are pretty up for performance art.    Otherwise, don't bother, you'll be confused, annoyed that you went all the way to Bermondsey to see it, and cold.  Very cold. 

Smells like home

I was reading an article in the FT last week, about Scent and Architecture.  How the smell of homes had changed over the years, as the way we live our lives changes.

For example, the smell of an open fire would be typical of a home a hundred years ago, but now not so much.  And do you really feel at "home" when there is new carpet smell?   My Aunt's house had been re-done about 3 years ago, and I'm certain one of the rooms smells the same as it did when I was 5.  I just can't quite put my finger on it...

Missing my homeland of Bermuda, I'm wondering if I can design in some scent into spaces that will make it smell like home.  

I'm working on a concept bar at the minute, based around the elements which make Bermuda unique.  So when I go to the islands for Christmas, I'm going to take note of whatever theses scents are.  Off the top of my head, salt, open fires and .... mildew.  It's so humid there!  And of course, my mum's baked ham. 

Should we be designing with scent, as well as colour?  And for that matter, what about sound?    Watch this space... 



Tuesday, 13 November 2012

Fluro Countryside

I've been spending a fair bit of time with my family in Hertfordshire as of late, which has resulted in lots of lovely walks.

On Sunday, the sun was shining, and the sky was clear... you can see what I mean.

Reminded me massively of the Hockney exhibition at the RA.  Gorgeous.





Wednesday, 19 September 2012

100%

I've not been to the London Design Festival for 2 years due to unforeseen circumstances, so I am pretty pleased to be here for it this year!  

I try to grab details of UK furniture designers and suppliers.  If they are suitable, I specify them where I can.... lower carbon foot print etc etc.

Anyhow, Today saw the launch of Yo! Home.  I went to the press launch, really intriguing concept, and interesting to see Simon Woodroffe, founder of Yo! Sushi and Yo! Hotel in person.  

I'm not entirely convinced, but our cramped society is definitely moving in this direction.  Flexible housing/furniture...

Photos aren't great, it was pretty crowded!  Everyone very excited.

Simon Woodroffe - Yo! Man


Office changes to Bedroom
Hidey breakfast bar
Bed moves up to reveal seating area


I also saw Yves Behar having a chat to Dezeen's Marcus Fairs about his design ethos, etc.  Really inspiring chat.  Very focused on sustainability and designing a better world for everyone, not just us Western lucky ones.  It was set in the "virtual" auditorium, which was basically a space encompassed by fishing wire.  Maybe there were budget constraints this year, but whatever the reason, it worked really well, as we could still watch and listen, even if there wasn't space.


Compared to other years, I thought 100% was really innovative with lots of things I'd not seen before, including a stand by Fixperts and Bright sparks, who FIX things, rather than throw them away.  They even had a 3D printer for making bespoke parts.  Genius.




Off to Design Junction tonight.. TENT tomorrow.. no rest for the wicked?


Friday, 14 September 2012

Work-in-Progress

Finishing off a presentation for a Pop-Up concept today.  Almost done....